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Image Not Available for The camera in the arena….first reporting of a bullfight. Portrait of the young bullfighter who won.
The camera in the arena….first reporting of a bullfight. Portrait of the young bullfighter who won.
Image Not Available for The camera in the arena….first reporting of a bullfight. Portrait of the young bullfighter who won.

The camera in the arena….first reporting of a bullfight. Portrait of the young bullfighter who won.

Creator Walter/Lueders Süssmann (German, 1918 - 2001)
Date1930s
Mediumgelatin silver print
DimensionsOverall: 23.9 x 18 cm (9 7/16 x 7 1/16 in.)
Credit LineAnonymous Gift, 2002
Object number2002/9125
LocationNot currently on display

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Image Not Available for Spanish bullfighters enter the arena to signal the beginning of the bullfight.
Spanish bullfighters enter the arena to signal the beginning of the bullfight.
Walter/Lueders Süssmann
1930s
Photograph
Image Not Available for The psychological riddle of the bullfight that pursues young and old, rich and poor is that they experience the same tension and captivation in the battle between man and beast.
The psychological riddle of the bullfight that pursues young and old, rich and poor is that they experience the same tension and captivation in the battle between man and beast.
Walter/Lueders Süssmann
1930s
Photograph
Image Not Available for Young souls especially can be won over by unquestioning belief
Young souls especially can be won over by unquestioning belief
Walter/Lueders Süssmann
c. 1931
Photograph
Image Not Available for The bullfight gives welcome opportunity for a small flirtation to the Matadors from the Spanish women.
The bullfight gives welcome opportunity for a small flirtation to the Matadors from the Spanish women.
Walter/Lueders Süssmann
1930s
Photograph
Image Not Available for A father and son watch the bullfight with extreme intensity.
A father and son watch the bullfight with extreme intensity.
Walter/Lueders Süssmann
1930s
Photograph
Image Not Available for Fascinated forces. In the arena, the bull and capeador eye each other carefully.
Fascinated forces. In the arena, the bull and capeador eye each other carefully.
Walter/Lueders Süssmann
1930s
Photograph
Image Not Available for A young boy stops to look at a stone monument of a master baker wjth a loaf of bread in his hand, who once saved the town of Augsburg, Germany in 1635.
A young boy stops to look at a stone monument of a master baker wjth a loaf of bread in his hand, who once saved the town of Augsburg, Germany in 1635.
Walter/Lueders Süssmann
1930s
Photograph
Image Not Available for Who will catch me?
Who will catch me?
Walter/Lueders Süssmann
1930s
Photograph
Image Not Available for A woman speaks through an open window to her friend on the street who has brought her a bunch of bananas at the end of the work day.
A woman speaks through an open window to her friend on the street who has brought her a bunch of bananas at the end of the work day.
Walter/Lueders Süssmann
1930s
Photograph
Image Not Available for A big experience: A first trip down the Rhine River.
A big experience: A first trip down the Rhine River.
Walter/Lueders Süssmann
1930s
Photograph
Image Not Available for The tomb of Saint Ulrich, the first bishop of Augsburg is in a crypt under the altar of the Church of Ulrich and Afra in Augsburg, Germany. The legend is that Saint Ulrich saved Augsburg from an attack the Huns.
The tomb of Saint Ulrich, the first bishop of Augsburg is in a crypt under the altar of the Church of Ulrich and Afra in Augsburg, Germany. The legend is that Saint Ulrich saved Augsburg from an attack the Huns.
Walter/Lueders Süssmann
1930s
Photograph
Image Not Available for Workers stand on a lamp-post outside a prestigious new office building in Berlin, Germany called Shell-Haus. This building is noted for its modernist design, for its striking wave-like façade, and for being one of the first steel-framed high-rise building
Workers stand on a lamp-post outside a prestigious new office building in Berlin, Germany called Shell-Haus. This building is noted for its modernist design, for its striking wave-like façade, and for being one of the first steel-framed high-rise building
Walter/Lueders Süssmann
1930s
Photograph
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